Sunday, December 29, 2019
Narrative Technique in DeLilloââ¬â¢s White Noise Essay
Narrative Technique in DeLilloââ¬â¢s White Noise American literature has evolved extensively over the course of the history of the republic, from the Puritan sermons which emphasized the importance of a solid individual relationship between the individual self and the omnipotent God to the parody of relativism we find in Joseph Hellerââ¬â¢s Catch-22. One of the recurring concerns of American fiction, though by no means restricted to American writing, is the position of the self with regard to the other, whether manifest as God, nature, the community, or another individual. Since at least the Modernist period, writers have explored the definitions and relationships of the self formally as well as thematically and narratively. Don DeLilloââ¬â¢sâ⬠¦show more contentâ⬠¦Frank Lentricchia has written in detail of the postmodern narrative technique of movement from a first-person subjectivity to a third-person objectivity as integral to the American experience. This distancing of the reader from the reality of the novel has s everal functions. By telling a story through the eyes of Gladney, we experience contemporary mass culture, DeLilloââ¬â¢s favorite theme, as Gladney does; we experience the same (or similar) disillusion and confusion that Gladney does and we share in Gladneyââ¬â¢s distancing of himself from his experience. In this way, the narratorââ¬â¢s state of mind is a mimetic reproduction of anyone in the readerââ¬â¢s reality. The objectified subject technique that DeLillo employs also serves as the site of DeLilloââ¬â¢s further explorations of character, perception, and action. By treating a character who treats himself and his experience as an object, DeLillo can cast his characters into roles not mimetically coherent. The identity and characteristics of the narrator in the novel evoke a number of questions of critical importance to our understanding of the whole work and the interaction of its parts. Rarely has a work of fiction so utterly interweaved the relationship between narrator and story narrated so neatly and successfully. The choice of Jack Gladney as the novelââ¬â¢s narrator, called DeLilloââ¬â¢s most important formal decision (Lentricchia 93), literally casts the entire work in a new light, shiftingShow MoreRelated The Power of the Family in White Noise Essay examples1139 Words à |à 5 PagesThe Power of the Family in White Noise à Don Dellilos protagonist in his novel White Noise, Jack Gladney, has a nuclear family that is, ostensibly, a prime example of the disjointed nature way of the family of the 80s and 90s -- what with Jacks multiple past marriages and the fact that his children arent all related. Its basically the antipodal image of the 1950s nuclear family. Despite this surface-level disjointedness, it is his family and the extrasensory rapport thatRead MoreElements of Postmodernism in Ishmael Reeds Mumbo Jumbo, Don Delillos White Noise, Toni Morrisons Beloved and Thomas Pynchons the Crying of Lot 496348 Words à |à 26 Pagesconsideration of difference, an insistent attention to the local cultures and undervalued constituencies that modernisms exaltation of unity and grand narrative often obscured, which can easily be observed by reading and analyzing some of the most important works of American postmodern fiction. Works such as Ishmael Reeds Mumbo Jumbo, Don DeLillos White Noise, Toni Morrisons Beloved and Thomas Pynchons The Crying of Lot 49 are only a few of many which contain all or some of postmodernisms most distinguishableRead MoreFeatures of Metafiction and Well Known Writers of the Genre Essay3025 Words à |à 13 Pagestheory of mimesis (imitation) posits that there is a world out there, a world in which we all live and act, which we call ââ¬Å"the real worldâ⬠. What fiction does (for that matter any art) is to try and (re) present this world using narrative techniques (or artistic techniques)â⬠(Thaninayagam 12). Historiographic metafiction is an offshoot of postmodern art form. The term historiographic metafiction was coined by Linda Hutcheon in her book A Poetics of Postmodernism : History, Theory, Fiction. AccordingRead MorePostmodernism in Literature5514 Words à |à 23 Pagesas a whole, is difficult to define and there is little agreement on the exact characteristics, scope, and importance of postmodern literature. However, unifying features often coincide with Jean-Franà §ois Lyotards concept of the meta-narrative and little narrative, Jacques Derridas concept of play, and Jean Baudrillards simulacra. For example, instead of the modernist quest for meaning in a chaotic world, the postmodern author eschews, often playfully, the possibility of meaning, and theRead More Transcendence and Technology in William Gibsons Neuromancer3154 Words à |à 13 PagesTranscendence and Technology in Neuromancer à à à à à à Where do we go from here? Case asks near the conclusion of William Gibsons novel Neuromancer (259). One answer suggested throughout most of the narrative is nowhere. True, geographically we are whisked around the urban centers of Earth in the near future, Chiba City, the Sprawl, Istanbul, and then to the orbital pleasure domes and corporate stronghold of Freeside and Straylight. The kind of movement to which I am referring is not overtly
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment
Note: Only a member of this blog may post a comment.